FM radio had a much clearer sound than AM but reached a smaller audience, partly because at that time fewer people had FM receivers. There was some community opposition to the sale, but not enough to stop the sale, and the station went off the air in 1997. Where can I get the book? At home later, youre cooking dinnerbut there isnt just one station that fits however you identify. Some of the music was headier and harder than the handful of other local jazz stations. She remembers listening for the first time to vibraphonist-band leader Lionel Hampton and singers Dinah Washington, Roy Hamilton and Frank Sinatra, among others. It may have sounded crazy and desperatebut to many of the programmers of WPFW, so was the state in which they now found the station. W. Royal Stokes, a freelance writer for the Washington Post, had two shows. I also interviewed New York saxophonist Noah Howard, who had come to Washington for a performance at the New Thing that didnt work out. This is about transformation.. Miyuki Williams, a host at WPFW-89.3FM, Washington's "Jazz and Justice" public radio station, proudly related that anecdote Sunday. Register for the event using the link below. Beer //--> I have been broadcasting jazz over the Washington airwaves almost continuously ever since. WAMU programs were Rob Bambergers Hot Jazz Saturday Night, my Jazz Sunday, and Marian McPartlands Piano Jazz. An informed announcer on the radio provides the names of the soloists and tells stories about the music. Eras end, and if the overall alchemy stayed the same, much of WPFW still changed. It is open to the public and. New Engineer jobs added daily. var addy_text39617 = 'news' + '@' + 'wpfw' + '.' + 'org'; WPFW may stumble to a new location. Everyone agrees that WPFWPFW to its most loyal listenershas to change. document.getElementById('cloak39617').innerHTML += ''+addy_text39617+'<\/a>'; document.getElementById('cloak9275').innerHTML = ''; He eventually returned to WPFW, where he'd been a programmer and a staffer beginning in the 1980s, and eventually became interim programming director. Morning Brew, a new program led by Muhammad, precedes it from 6 to 8 a.m. with news and some music. He is currently a professor at American University. Page Three https://t.co/B0BfdRXJyl Film/TV The dispute that has inflamed purists is over how it should change, and how gently, and when. addy49599 = addy49599 + 'wpfw' + '.' + 'org'; Events: A heads up about City Paper events, from panels to parties. 202-588-0999 ext. Those additions wont be implemented, listeners learned later in the week, until the station has moved. Kathleen Rolenz, Miyuki Williams, WPFW Host, Jerry Paris, WPFW General Manager and Lyn Dyson, DC Black Repertory Company. //-->, This email address is being protected from spambots. . On Nov. 30, a few hours after General Manager John Hughes used a previously scheduled appearance on the air to defend the changeshe also apologized for the impolitic rolloutthat discontent spilled into the streets, with about a dozen programmers and listeners gathering outside to find out what, exactly, was happening to their station. Jazz was politics; politics was jazz. In the Washington Post on August 22, 1986, Jeffrey Yorke did a short profile of Felix Grant and also listed other jazz radio shows. Plenty has changed at WPFW, though. Tune in and hear Miles, Aretha, Sinatra, Muddy Waters, or Eddie Palmieri! Music served a conscious-raising purpose. 326, Sataria JoynerThis email address is being protected from spambots. His recounting of his times on air and the connections he made in the citys jazz community are the subject of an essay in the book DC Jazz: Stories of Jazz Music in Washington, DC. But the on-air relationship and the stories were made up. Facebook gives people the power. Leverage your professional network, and get hired. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Reddit (Opens in new window). Advertise with Us, Sponsored Posts from our Partners I miss and reminisce those days. WPFW Washington, 89.3 MHz FM blues jazz news Rating: 5.0 Reviews: 7 WPFW is the voice for alternative programming in the Washington metropolitan area. Joe Hinton, Funny How Time Slips Away, Katea Stitt, Morning Jazz: document.getElementById('cloak25885').innerHTML += ''+addy_text25885+'<\/a>'; 202-588-0999 ext. In the early 1970s college stations on FM attracted young listeners by featuring rock albums by The Doors, Cream, Jimi Hendrix, and many others that werent getting played on commercial AM stations. Although the organization folded, I kept the title of The New Thing Root Music Show through the seventies. This ones my complaint: You cant remain a station serving underserved communities, as WPFW professes to do, if your programming mostly reflects the whims of your more monied listeners. Martin Luther King Jr. and subsequent riots dramatically changed the city for decades. Miyuki Williams: About 31 years ago on a Monday night I was driving on Minnesota Avenue listening to WPFW 89.3 FM. The years I spent at WDCU were among the best in my broadcasting career. This email address is being protected from spambots. All rights reserved. You need JavaScript enabled to view it. Readers of our three print editions pick up more than 179,000 copies each month at more than 2,000 distribution sites. The phone was lighting up with callers. 326 Membership Coordinator Sataria Joyner sjoyner@wpfw.org DC Jazz: Stories of Jazz Music in Washington, DC, The university sold the license to C-SPAN, wrote about jazz radio finding itself at an existential crossroads, How a Chicana-run community radio station changed the cultural soundscape of public broadcasting, https://www.amazon.com/DC-Jazz-Stories-Music-Washington/dp/1626165890. The management issues usually work themselves out, says Muhammad. A free-form mix of Frank Zappa, Jefferson Airplane, and Bob Marley included a dose of radical politics. Were not traveling audience from one program to the next.. When a recent Sunday fell on the birthday of Nina Simone, Williams featured two hours of the pianist-vocalists recordings, from her heart-rending rendition of I Loves You, Porgy to the classically trained artists own compositions, including the sad, angry, rousing civil rights protest anthem, Mississippi Goddam., Among other highlights of Williams show are her tributes to Eva Cassidy, the legendary vocalist, born and raised in the Washington area, who died of cancer in 1996 at the age of 33. var addy25885 = 'membership' + '@'; I dont remember the exact date of my first broadcast. In the last four years, a 2011 audit shows, the foundation has lost millions and gone through its own internal putsches. For decades AM radio dominated the airwaves with Top 40 music programming, but there were also some commercial jazz shows, such as Felix Grants on WMAL-AM. var path = 'hr' + 'ef' + '='; Anthony went on to Sirius satellite radio until the merger with XM. A recent radio show on WPFW began with a quote from Shakespeare's. (Not four days before a fundraising drive, certainly, which is when the new programming grid was to go into effect.). var addy9275 = 'kstitt' + '@'; Click here to see the 2023 Seniors' Resource Guide. The music I programmed reflected the times: Ascension, by John Coltrane, and Meditations on Integration, by Charles Mingus. Amy Goodman, who now hosts the progressive news program Democracy Now!the Pacifica networks flagship showgot her start at WPFW. Yorkes profile of Grant focused on his Saturday afternoon show on WRC-AM, mentioning his earlier thirty-year tenure as WMALs nightly jazz authority. Notify me of follow-up comments by email. Ill play that record., #Bob Levey In 1990 new owners decided Bill Evans did not mix with Beethoven and dropped jazz. He sent out proposals to various stations, and WAMU-FM came up with airtime on Sunday afternoons. In a decade or two, when Internet radio comes standard in every new car, we might all be listening to the same jazz programming everywhere. National Public Radio also played a major role in getting jazz on the Washington airwaves. Then consider the Beacon your resource for trustworthy information on health, money, technology and travel topics, as well as entertaining features, arts and events. I had been employed as a union representative for a few years and decided to continue that career rather than jump into broadcasting full time. She periodically invites Hugh and Barbara Cassidy to be her. The white left doesnt think they have a black problem, says Muhammad. Pedigreed programs like We Ourselves, Sophies Parlor, and others were either axed outright or canceled because their hosts couldnt switch to a new time. Mwiza Munthali 49. By 1980 Paul Anthony was a veteran broadcaster. addy68494 = addy68494 + 'wpfw' + '.' + 'org'; Hughes allegedly suspended him indefinitely, instead of the customary two weeks; he then transferred Daughtry to another position, Daughtry says, and eliminated that job soon after. //--> Vince Evans, Wes Biles, Jeff Neal, Lyle link and Dave Cole. ), Near the end of her show, Williams played You Take My Breath Away by Tuck & Patti. Join Miyuki Williams today at 12 PM EST on #893FM for another edition of Sunday Kind of Love as she continues to celebrate International Women's Month with her special guests Dr. Ysaye Barnwell & Maxine Roach. To the dissenting programmers, the schedule changes represent a betrayal of the stations mission as a progressive, even radical, alternative to mainstream radio and a preserver of jazz, one which particularly serves the D.C. areas black residents. So who the hell does want to hear Cornel West on WPFW? I was also working at WRC/NBC TV and sometimes WMAL-AM during those hours so I had many guest hosts sit in the air chair and spin their faves for that diverse listening audience including; Vincent Thomas, Wayne Tucker, Kahlil Wheaton and Sheila Eldridge from WHUR-FM, Art Cromwell, Tom Porter, Chip Donelson and sometimes Mr Black Fire Jimmy Gray. Volunteer Coordinator Vincent Jack vjack@wpfw.org 202-588-0999 ext. Meanwhile, WPFW has to move. Native America is pissed. By then WAMU had begun to cut back jazz programming. On the air, meanwhile, Hughes faces an ongoing rebellion: Some programmers have referred obliquely to the programming changes, while others have taken more of an activist stance, weaponizing the stations December fundraising drive by asking supporters to make protest pledgesthat is, promises of funding that they wont fulfil until the old grid has been restored. Williams, 64, chooses mostly timeless jazz for her sessions, with some exceptions. He should not., The situation became heated when Tony Norman, a lawyer and the chair of the listener-elected Local Station Board, faced questions about whether the board had somehow protected Hughes. To Hughes detractors, however, the changes represent a violation of the stations progressive, minority-serving brief: WPFW is supposed to be an alternative to NPR and PRI. I remember one of my dedicated listeners called during my night show Sound, Color and Movement [inspired by a Sun Ra lp title] while an Albert Ayler selection was blasting over the airwaves. Books The program was hosted, as it has been for the past 36 years, by longtime D.C. resident Miyuki Williams. In the Radio Farrakhan years, the station followed the radical drift of some schools of black nationalism; as the rhetoric became angrier and more violent, Muhammad says, the station pulled backor depending on your viewpoint, became more P.C. var path = 'hr' + 'ef' + '='; var prefix = 'ma' + 'il' + 'to'; Check here as more shows are scheduled. I was soon asked to become a substitute host on WPFW, filling in for such programmers as Rick Bolling and Guy Middleton. Over 50 or love someone who is? We view these changes as . For a decade he broadcast a show on Saturday nights on a commercial station where his ratings were good and the advertising book solid. Russonello notes the explosion of music on the internet and the change in listening habits through downloads and online music services. Even if the listeners and programmers of WPFW beat back Hughes proposed changes, how long can the magic reasonably last? Theater Askia Muhammad, Morning Jazz: (She later received a one-week suspension for saying the URL of a site, thepeople4pfw.wordpress.com, about the current controversy, in violation of the Local Station Boards election rules. var prefix = 'ma' + 'il' + 'to'; Thanks for the shout out and keep the music flowing, good sir. miyuki williams. Voiron, Auvergne-Rhne-Alpes, France | 6 Bed House For Sale | 1,800,000 - This beautiful property with an extraordinary view of the Alps has been. Soccer Myrrh Cauthen 50 . Today's top 343 Engineer jobs in Grenoble, Auvergne-Rhne-Alpes, France. In 2010, Pacifica unsuccessfully attempted. The Beacons award-winning content covers health, financial, technology, housing, travel and arts topics, as well as local events and feature stories. Discover your dream home among our modern houses, penthouses and villas. Current (https://current.org/2019/02/a-dj-looks-back-on-50-years-on-jazz-radio-in-the-nations-capital/). He convinced the management of WGMS, the classical music station in Washington, that it should air jazz, Americas classical music. This isnt about gentrification, Hughes said. 328, This email address is being protected from spambots. For much of the hybrid-format stations 35-year existence, its pugnacious programmer corps has grumbled about WPFWs management and its overlord, the Berkeley, Calif.-based Pacifica Foundation. I remember being nervous, but I soon overcame my natural shyness as I began to share my love of jazz and introduce others to the music as I had been by Symphony Sid and Mort Fega. Paulette Dozier,Sunny. //--> This excerpt has been edited. John Hughes has caused us to be on the brink of disaster, said Katea Stitt, one of WPFWs 12 paid staffers as well as a volunteer programmer. Blakkat, Mark Bell. I lived in DC for 30 years and enjoyed Rusty at his many stops including his lectures sponsored by the Smithsonian Associates. The people who have been here the longestthe Von Martins and the Tom Coleshave never been in the management. or call 202-588-0999 ext 344. Rusty Hassan, Jazz Radio in Washington, DC. From DC Jazz: Stories of Jazz Music in Washington, DC, Maurice Jackson and Blair A. Ruble, Editors, pp. About Douy Latest NEWS Load more More News @DOUYEMUSIC Happy 2023 Cheers to life. document.getElementById('cloak29915').innerHTML = ''; Although Sutton was employed by WHUR, he volunteered to do a show on WPFW with his friend Wash sitting in with him. Washington in turn showed me his collection of jazz and blues LPs. WDCU lacked the strong broadcast signal of WPFW, but it established its jazz identity in the Washington community. And the aforementioned Nina Simone, she said, was an immense pianist, [who,] thwarted in her dreams of becoming a classical pianist because of racism, perseveres and pushes through. Tom Porter, the host of Jazz and Justice, got the call a night before his final Monday-afternoon program. Suddenly, D.C.s community station would feature new shows from San Francisco, Los Angeles, New Yorkand most heretically, in the eyes of some stakeholders, from mainstream organizations like National Public Radio and Public Radio International and personalities like West, Tavis Smiley, and Michel Martin. The show is now three hours. Her father, who was African-American, met Williams mother in Yokohama, Japan, and they married there in 1955. The presence of people of color does not necessarily mean the presence of the proper ideological or philosophical perspective. Porters confederates took to the air, opening up the phone lines to supporters. We're funded by your subscriptions, your donations, advertising, and a generous grant from the Wyncote Foundation. Required fields are marked *. WPFW no longer has the reputation as Radio Farrakhan that it gained in the late 1980s; the speeches by the Nation of Islam leader and by radical black-nationalist thinkers like Frances Cress Welsing that sometimes appeared on the defunct program Freedom of Speech are gone. He says WPFW pulls in a weekly cumulative audience of about 140,000 to 150,000 listeners, a drop from its peak in the 2000s. Maybe youre listening to a local radio broadcast over the air, or maybe youre listening to a station from another city (or country) over the Internet. This led to a permanent slot. Reese flew to D.C. this week to attend a WPFW community meeting that drew around 200 people, as well as talk with the stations staff and board. 360, This email address is being protected from spambots. Still, tensions between programmers and management and between the station and Pacifica are par for the course, says Muhammad. But beyond the substance of the new grid, programmers, members of the Local Station Board, and even Pacificas interim executive director, Summer Reese, say the changes were made without enough input, sensitivity, or notice. Downloads to iPods are convenient, but background and appreciation for the music is lacking. This comprehensive, searchable directory covers Last Friday, Hughes hosted his weekly Managers Mailbox edition of Community Watch & Comment, bringing on Public Affairs Director Gloria Minott and DC Politics co-host Chuck Thies to interview him about the programming changes. The expansion of jazz programming in Washington continued in the 1980s. General Manager John Hughes defends his programming changes on the air at WPFW. Rusty Hassans career in Washington, D.C., jazz radio spans four stations and more than five decades. Martin said he couldnt do it, and prepared to end his show. Philip Pannell Collapsed at a Statehood Rally. Watson didnt last long as general manager; few at WPFW have. . In the 1970s he established himself professionally doing voice-overs for commercials, the weather on television, and jazz shows on WRC-FM and National Public Radio. After I had Topper on my show to talk about the jazz performances and other programs at the New Thing, he decided that the organization should have its own radio show. Daughtry was filling in on a Saturday for soul DJ Andrea Bray, and played Marvin Youre the Man by the jazzy hip-hop act Digable Planets, which contains the word shit, an obscenity that could have lead to an FCC fine. Where is the book. You need to roll [the programing changes] back quick, fast, and in a hurrysay Look, no one was consulted, say This was done in secrecy, was nontransparent, and we want this to stop right now. In the early days, it was a cauldron, says WPFWs news director, Askia Muhammad, whos had several stints on staff and was an early programmer. Your email address will not be published. City Lights: Your weekly guide to artsy goings-on, hitting your inbox Thursdays and Sundays. Young & Hungry The charge of gentrification is so off-base, Hughes said, redirecting course. The station officially went on the air in February 1977not with the traditional Star-Spangled Banner, but with Duke Ellingtons Take the A-Train.. Jo Reed heard her literary show On the Margin was gone after her final broadcast. Much of its aging, analog equipment wont survive the move, Hughes says, but he says that with a stripped down set-up, the station wont need to suspend live programming. A comprehensive dialogue with Wpfw programmers can be viewed on Dctv on Robyn Holden's Anc and You program as per the following schedule . document.getElementById('cloak25885').innerHTML = ''; The Princeton African-American studies professor and public intellectual may be one of President Barack Obamas most prominent critics on the leftand Hughes plans may only have him on WPFW for one hour a weekbut theres a reason his name, as well as Martins and Smileys, were cited as evidence of WPFWs centerward drift in the days after the new programming was announced. Before Williams went on the air, she was told by Hughes that she had jeopardized the financial future of WPFW, she says, by appearing on another program several days earlier and telling listeners to withhold their credit card information as part of protest pledges. As some music hosts heard last week that their programs were canceled or rescheduled, they had to decide what to play for the last time. 360 Development Director 202-588-0999 ext. Gloria Minnot (sp) was one of my favorite programmers. Vincent JackThis email address is being protected from spambots. Morris was the first musician I interviewed on the air. You need JavaScript enabled to view it. Porter thinks the stations been going downhill since 1993, and sees little hope; staffers like Stitt, Minott and Muhammad think it can thrive with limited corporate underwriting; everyone wants more transparency and dialogue. But an on-air discussion with the director Topper Carew had a major impact on my broadcasting career. Williams became a professional sound technician for film and won Academy Awards for Glory and Dances with Wolves. The stations frequently would be cosponsors of performances. The assassination of Rev. Suggestions by WPFW programmers to allow limited underwritingseveral people I interviewed dream of Bens Chili Bowl sponsorshiphave almost always been rebuffed. What it doesnt do is create a flow, a symmetry, Hughes says of the old schedule, which frequently jumped between public affairs and music. What a tremendously delicious jazz anthology. Then they can be expected to teach the next generation their expertise, share their craft and preserve the culture. I grew up hearing Julie Andrews sing My Favorite Things, and singing it [myself] in choir. Photo courtesy of Miyuki Williams PRINT By Robert Friedman Posted on March 30, 2021 CMS recognizes and celebrates the positive changes to the program schedule brought about recently since Katea Stitt and Miyuki Williams were put in charge of programming. 360Development Director202-588-0999 ext. At Georgetown, meanwhile, WGTB was featuring a womens collective called Sophies Parlor and health advice from the Washington Free Clinic. How people listen to music has changed dramatically. On Saturday, June 2, from 1 p.m.-3 p.m., we will host "Jazz FM: Maintaining Tradition," a presentation on jazz music and history in the D.C. and Baltimore areas.With help from veteran broadcasters Miyuki Williams of WPFW-FM and George "Doc" Manning of WEAA-FM, we will explore the media's role in jazz preservation as Williams and Manning share their on-air and off-air experiences on presenting . Basketball In the case of Michel Martins NPR program Tell Me More, Hughes stresses that it is an alternative on public radio in and of itself because it originated with the African American Public Radio Consortium. On a station-sponsored cruise, I hung out with Jay McShann, Clark Terry, and my friend Yale Lewis. WPFW faced other challenges in 2013, but new managers and their positive attitude instill the programmers with confidence that the jazz shows will continue. Yes Greg. Theres a whole universe of them. var path = 'hr' + 'ef' + '='; You need JavaScript enabled to view it. AND WE THANK Black Republic Media, an online news and media organization that is reclaiming our story to counter the dehumanizing narratives of settler colonialism.And of course thanks to all of you who came out or otherwise supported our event that honored 125th birthday of Paul Robeson, Earth Day and National Poetry Month! Williams not only hosts and programs her show, carrying on as a radio engineer as she spins CDs from her personal collection, but she also answers phone calls and raises funds for the station. BACK TO ME (ABICAH SOUL REHASH) Back To Me. In became something of a consortium of kindred souls playing that serious American music. SK&U first aired Nov 6 1971. 700 V ST NW Washington, DC 20001 (202)462-3700: Uncle Julio's Rio Grand Cafe Bethesda Row 4870 Bethesda Ave. Bethesda, MD 20814 301-656-2981 www.unclejulios.com Under the . When Elvis Presley died a few months after WPFW went on the air, the station didnt air a tribute, the explanation going that Elvis was a racist who stole his music from black people, the Washington Post reported at the time. var path = 'hr' + 'ef' + '='; Saxophonist Byron Morris had a program named after Rahsaan Roland Kirks Bright Moments. Tom Cole started a Sunday morning show focusing on guitar music called G-Strings that is still on the air today. All inquiries regarding your membership (pledge gifts, tax statements, membership status) please email. S,C&M came on a bit later after The Other SIde of Brother Ralph left the airwaves in the Saturday night 10pm -midnight slot. Staffers and volunteer programmers at WPFW, the D.C. "jazz and justice" radio station that is also Washington City Paper 's neighbor one floor below, have declared no confidence in the station's. Miyuki Williams, host of ' Sunday Kind of Love' one of the most popular and well funded shows on Wpfw radio says, "John Hughes' response is vague and does not inspire confidence in his ability to lead. Beginning last week, listeners found mostly news and talk throughout the workday and jazz at night. Talk shows were followed by jazz; many programs had hybrid formats. But Rusty, you will always be the Don of the DC airwaves when it comes to hipness, deep knowledge and broadcast style my friend. A lot of creative people, a lot of ideas, a lot of churning.. By mid-decade the lineup included Bill McLaurin, Whitmore John, Steve Metalitz, Tim Masters, and later Candy Shannon. Cool. Spirits Known and Unknown continued with its workshop concept for young African American announcers, and in 1980 Hot Jazz Saturday Night, with Rob Bamberger, premiered and is still on the air today. var prefix = 'ma' + 'il' + 'to'; You need JavaScript enabled to view it. But changes with programmers and talk shows started changing at PFW in a way that was confusing to many listeners. English Website 52 Listen live 0 Playlist Contacts Contact Us I served on a program selection panel with Dr. Billy Taylor, where we discovered we had some personal connections. As the staffer responsible for enforcing programming standards, Daughtry reported his own infraction. Much of WPFWs current upheaval centers on how you define the stations community. licenses, a crash course in interview technique and expanded my appreciation of constructive criticism. The December numbers placed WPFW one slot behind the Arlington-based religious station WAVA-FM and tied with African-American talk station WOL-AM at No. But only around 6 to 7 percent of its listeners donate each year, while nationwide in 2007 17 percent of public radio listeners gave to stations, according to an Arbitron report. addy26045 = addy26045 + 'wpfw' + '.' + 'org'; When it returned, small groups of listeners and programmers picketed for several weeks. ~ Gambling. I helped to get the first shows on the air in July 1969. WGTB evolved into a free-form underground rock station while maintaining much of its jazz programming. WPFWs founders were five years into their struggle to get on the air when D.C. gained home rule in 1973, and their station shared the eras DNA. The New Thing Root Music Show kicked off what would be a golden age for jazz radio in Washington, DC, as jazz radio programming proliferated during the 1970s. The Bama Hour would become the most popular show on WPFW. Im most familiar with jazz, but I also love the blues. All that amour aired on the aptly named A Sunday Kind of Love, the weekly noon to 2 p.m. program on Washingtons Pacifica Radio station. But even then, because fundraising covered only a fraction of the costs and Pacificas bylaws wouldnt let stations accept any kind of corporate underwriting, the foundation footed some of the bill for years. Jerry Washington and his wife remained together until her passing, and he missed her terribly as a widower. I have no idea where I got the nerve or the notion that I could do it, but at the next phone booth I got to, I called him and asked, Mr. I love that, she said. Later, there was soul programmer Bobby Bennett, a survivor of the old WOL-AM. In a press release, the year-old Programmers Association declared itself on the threshold of an Occupy type revolt The board voted to pursue mediation between the partiestalks that ended without resolution, and with Daughtry still out. The ensuing letter campaign supporting my show did not change the decision of WAMU management. The series is created in partnership with the Radio Preservation Task Force, an initiative of the Library of Congress. WPFW News Celebrating the Life of Harry Belafonte The legendary performer and human rights champion Harry Belafonte joined the ancestors on Tuesday, April 25, 2023, at the age of 96.

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